Get ready for a thrilling ride as we delve into the world of comic books and uncover the explosive debut of the Infernal Hulk! A twisted tale that will leave you on the edge of your seat.
Brian Cronin, a seasoned senior staff writer at CBR, has been captivating readers with his expertise for over fifteen years. With a focus on comic book legends and trivia, Brian has penned multiple books, including 'Was Superman a Spy?' and 'Why Does Batman Carry Shark Repellent?', offering a unique insight into the world of superheroes. His work has been featured in prominent publications, solidifying his status as a trusted source for all things comic-related.
In the realm of murder mystery shows, we often witness an intriguing opening sequence where the victim of the week is introduced. This brief yet crucial moment allows us to connect with the character, making their untimely demise all the more impactful. The recent series, Pokerface, masterfully executed this technique, leaving viewers deeply invested in the fate of each victim.
When it comes to comic books, writers have the freedom to explore similar narrative arcs. While murder-solving comics are scarce, writers often employ character development to create compelling new figures whose lives and deaths carry weight. Take, for instance, the 'Death of Superman' storyline, where Mitch Anderson, a disenchanted teenager, undergoes a transformative journey after Superman saves his life. A powerful narrative choice that leaves a lasting impression.
Brian Cronin, a self-proclaimed advocate for supporting characters, applauds the introduction of a new character in the first issue of Infernal Hulk. This character, integral to the storyline involving the demonic Hulk, adds depth and intrigue to the narrative.
The creative team behind Infernal Hulk #1 includes writer Phillip Kennedy Johnson, artist Nic Klein, colorist Matthew Wilson, and letterer Cory Petit. Together, they continue the gripping storyline from their previous volume, Incredible Hulk, where Bruce Banner loses control of the Hulk, whose body becomes possessed by a malevolent demon.
The issue opens in a small Kentucky town, where the National Guard is called to action as the Hulk approaches. We meet David Bridger, a construction worker and war hero, who finds himself in a unique position. Surrounded by inexperienced soldiers, Bridger's past as a killer weighs heavily on him. As the Hulk draws nearer, Bridger feels a sense of responsibility to assure his comrades that they will make it through this ordeal.
Johnson and Klein deliver an exceptional sequence as the Hulk slowly advances, instilling a sense of dread and terror in the soldiers. The artwork masterfully captures the intensity of the moment, building hope amidst certain doom.
Nic Klein's artistic prowess shines in this issue, particularly in his storytelling abilities. His growth as an artist is evident, with each panel delivering a powerful narrative beat.
The new status quo for the Hulk is a terrifying one. 'The Mother of All Horrors' has been released, and her Eldest seeks to utilize the Hulk's power to access her prison. Over the course of the previous series, the Hulk was separated from Bruce Banner, and the Eldest took control, ultimately consuming the Mother and unleashing a new world of monsters.
Klein's design for the Hulk is nothing short of shocking, with intense violence permeating every panel. This 'Parental Advisory' comic pushes the boundaries, surpassing even the gory Punisher Red Band series. The Hulk's sonic clap reduces a man's skull to liquid, a truly gruesome display.
David Bridger, the war hero turned monster, finds himself transformed by the Hulk. In a chilling scene, the Hulk chooses Bridger and one of the soldiers he was trying to save, killing the soldier before the transformation. This moment highlights the Hulk's intention to build a new age of monsters from the ground up.
The issue concludes with a glimpse of Bruce Banner, potentially ready to reclaim the Hulk, as the superhero community reacts to the Hulk's monstrous attitude. Captain America and Spider-Man, an unlikely duo, watch the events unfold on TV, leaving us with more questions than answers.
Infernal Hulk #1 delivers a powerful standalone issue while setting the stage for future storylines. A thrilling read that builds upon the previous volume, taking the narrative to new heights.
And here's where it gets controversial... Do you think writers should develop supporting characters only to kill them off? Share your thoughts in the comments!
Source: Marvel
